On the eve of All Saints' Day, we hosted a deeply atmospheric meditation on mortality, loss, remembrance and reverence. Drawing inspiration from the idea of memento mori, the programme brought together music spanning centuries, styles and soundworlds.

In March, we proudly launched NanoVOX—a small vocal ensemble dedicated to exploring the expressive possibilities contained within intimate forces. Showcasing the versatility of our singers, this is choral music up close.

As we celebrated our first decade and reflected on our diverse portfolio of performances, we planned a constellation of concerts that spanned the intimate to the immersive in a host of interesting venues around the Mother City.

VOX's pioneering series of immersive performances, spanning history and geographies and taking us from the icy reaches of the Baltic to the timelessness of the Karoo, was intended to expose Cape Town's audiences to fresh choral sounds (and sights).

'Imagine the magical sensation of listening to exquisite choral music in complete darkness…' This conceptual concert series, co-hosted with Biblioteek Productions, took place in the cathedral-like space of the Youngblood Gallery in Bree Street.

VOX is delighted to be a fixture at these January lecture-recitals in the Baxter Concert Hall, first with Barry Smith and more recently with Grant McLachlan, in which we have presented choral music in a novel and interactive manner.

Our unique, multisensory pairing of wine and choral song was held on three occasions at Groot Constantia, South Africa's oldest wine-producing estate. Fancy a spirited madrigal with your glass of MCC, or sonorous polyphony to accompany a red blend…?

Every December, VOX presents a local adaptation of the famous Festival of Nine Lessons and Carols; short Bible readings are interspersed with the singing of new and familiar Christmas hymns and carols from around the world.